Textura.org, September 2018
"Canadian flutist Sara Hahn's I Close My Eyes in Order to See is an immensely satisfying recording, but it's enhanced significantly by the concept she chose to orient its selections around, specifically music's capacity for healing."
Full article, click HERE
Full article, click HERE
Infodad.com, September 20, 2018
"Hahn is impressive in breath control and finger technique, her emotional connection with the expressiveness of these works – indeed, of all the pieces on the disc – being quite impressive."
Full article, click HERE
Full article, click HERE
Cinemusical, October 22, 2018
Review Graveyard, November 2, 2018
"After listening to this numerous times over the course of several weeks I can confirm that this is one album you'll get years of satisfaction and listening pleasure from. Each time I play it I find something new and uplifting which I previously overlooked." 10/10!
Full article, click HERE
Full article, click HERE
Kathodik, December 24, 2018
"The sublime flute work of Sara Hahn accompanies us on the introspective journey of this CD, in which works by different composers speak in their own way of experiences both melancholic and sweet, all while describing emotions and fragments of life in music."
Full article, click HERE
Full article, click HERE
Calgary Herald, February 27, 2018
Review of the Premiere of Sea Dreams by Anthony Togni:
Sunday’s new piece, called Sea Dreams, originated during a Banff residency by Togni and Sara Hahn, the CPO’s first flute. It was she who made the suggestion for the commission.... Flutists Sara Hahn and Sarah Gieck blended beautifully, and their sound was both full and pure.
https://calgaryherald.com/entertainment/music/review-luminous-voices-rise-above-complex-music-selection
Sunday’s new piece, called Sea Dreams, originated during a Banff residency by Togni and Sara Hahn, the CPO’s first flute. It was she who made the suggestion for the commission.... Flutists Sara Hahn and Sarah Gieck blended beautifully, and their sound was both full and pure.
https://calgaryherald.com/entertainment/music/review-luminous-voices-rise-above-complex-music-selection
Calgary Herald, February 18, 2015
Review of performance of Cecile Chaminade's Concertino:
"...an exceptionally fine performance of this attractive, highly melodic piece. Playing with a slivery tone and perfect intonation, Hahn had the full measure of this virtuoso bon-bon, the runs brilliant in execution and the charming melodies meltingly seductive."
"...an exceptionally fine performance of this attractive, highly melodic piece. Playing with a slivery tone and perfect intonation, Hahn had the full measure of this virtuoso bon-bon, the runs brilliant in execution and the charming melodies meltingly seductive."
Calgary Herald, May 25, 2015
"CPO flutist Sara Hahn performed the obligato part in the Bach solo cantata, her performance gracious and musically pointed."
Calgary Herald, May 26, 2012
"Outstanding.. was the flute obligato played by Sara Hahn."
Calgary Herald, January 17, 2009
Review of Afternoon of a Faun solo:
"Flutist Sara Hahn played the solo part with beauty of tone and a wonderfully flexible phrasing.."
"Flutist Sara Hahn played the solo part with beauty of tone and a wonderfully flexible phrasing.."
Parma Recording News, September 2018
Calgary Journal, December 15, 2016
Calgary Sun, March 9, 2016
Sara Hahn of the Calgary Philharmonic performs on flute among the cars and trucks at the Vehicles and Violins Gala Tuesday night March 8, 2016 at the BMO Centre Sponsored by the Calgary Motor Dealers Association, the gala is in it's 17th year. This year's beneficiaries are Fresh Start Recovery Centre, The Alex and Children's Cottage Society. (Ted Rhodes/Postmedia)
Swerve, May 29, 2013
Calgary Herald, March 1, 2012
Calgary Sun, March 9, 2011
Calgary Herald, Feb 16, 2011
Calgary Herald, January 13, 2010
Canmore Leader, December 2, 2009
Calgary Herald, January 17, 2009
Winnipeg Free Press, May 15, 2006
Toronto Star, February 27, 2001
